Get Story Ideas by Brainstorming

I get story ideas in wonderful places. Listening to people talk, watching the news, listening to songs.

Another way I get story ideas is from other writers. I have a lot of fun working as a writing coach. I work with a young man who wants to write some scary, scary stories. He loves Stephen King and Five Nights at Freddy’s and all things gory. He’s working on a story for a program and he’ll apply in the fall. I think he has a shot, his ideas are really good.

I met my coachee this weekend and he’s working on a new story. The beginning of the story is a classic. Teens have to housesit and mansion and…

When he shared this idea with me, and I read his very exciting beginning paragraph, I knew this could be good. But I wanted to make sure he didn’t write the same old story. I mean, this is the premise of Scream. And Jumanji. And Cat in the Hat.

“So what makes your story one that only you can tell?” I asked him.

This made him think. Then to help him along with some unique ideas, we took turns brainstorming. I don’t want to share his MOST AMAZING idea here because it’s so good I hope you get it at a bookstore and maybe see it in the movies some day.

This kind of brainstorming is a great way to get story ideas.

I thought it would be fun to practice this story brainstorming here on the blog.

Teens have to house sit a mansion and…

Me: discover it’s the landing spot for an alien invasion.

Ceil Kessler: …trigger a switch by accident, revealing the hidden laboratory of a mad/evil scientist.

Victorria Johnson Wytcherley: Find that the house is sentient and provides for those who promise to upkeep it

Kit Fox: They say no, because they are volunteering to feed homeless teens so the mansion owner surprises them by taking in all the homeless teens as housesitters and they have a big party and eat all the food and the owner doesn’t go to Andorra, which means she’s not skiing when the avalanche happens so being generous literally saves her life and everyone learns a valuable lesson.

Diane Matway: Find the mansion has contained with it a certain magic to create peace and safety again. Three silver bells hold the answers…

So how would your story end?

Writing Puns is Fun

I love writing puns and I love writing with puns. Over Thanksgiving, I brought a new game to play with my family called Punderdome. I found this game at Riverstone Books, my favorite local bookstore. I’m very lucky that the family was willing to give it a try, even my 13 year old son got into it! The game is simple. In round 1, everyone tries to guess the answer to a pun. I was not too shabby at that part. For example, what’s the most disgusting store to shop at? A grocery store!

In round 2, the judge deals out 2 cards with categories and the players try to make a pun combining the two.

For example, one of my answers for “Star Wars” and “Winning” was “Yoda Man!” Too bad I didn’t come up with that answer until after the game.

I use a lot of puns in my writing. I used puns in my story “The Pepper Caper,” published in Highlights for Children (September 2017). I have several drafts of manuscripts that incorporate lots of puns.

There’s always thyme for some puns.

People say puns are lowest form of humor, and one reason is because word play is one of the first kinds of humor that children can understand. But that’s irritating to me, because it implies that children’s level of comprehension is low. My 13 year old made some excellent puns. And in my opinion the best puns require knowing A LOT of words AND their meanings.

Games like Punderdome are a great way to practice your humor writing skills. I also love Rory’s Story Cubes and Word Dominos.

Do you like writing puns? What are your favorite puns?

What other games do you like to play that help you be a better writer?

Tell a Story in One Sentence

If you’re writing a story, there are lots of things you need to know how to do.

You need to know how to create interesting characters.

You need to know how to write dialogue.

You need to know how to build tension.

You need to know how to write a good ending.

Once you’ve got all those things and a finished story, you can celebrate. Then you need to be able to figure out how to tell your story in one sentence.

If you can’t tell your story in one sentence, you might not know your story. It’s also possible you might not HAVE a story.

If you have any plans to send your story to a magazine, agent, or publisher, you should be able to share it in one sentence.

I’ll be brave and share my one sentence summary:

“Sixth grader Whitney decides to run a marathon to win a bet and prove she’s not Quit-ney.”

So – what’s your story in a sentence?

Run!

How to Be a Better Writer

I’m always learning how to be a better writer. It never stops. I am always reading different blog posts and listening to different podcasts. Also, I register for webinars from SCBWI. I attend events at the Highlights Foundation, and I always attend the annual SCBWI fall conference here in Pittsburgh.

I’ve learned some really interesting and helpful things lately that I know will help me be a better writer.

Things That Help Me Be a Better Writer

  • Libraries. Did you know the Library of Congress website offers free photos for your use? They are available online in the “Free to Use and Reuse” section on the homepage of the website. These photos can help with information, but they can also offer inspiration. I was so excited to discover this awesome feature. I loved clicking through a collection of Irish heritage photos.
be a better writer

A good reminder!

 

  • Friends. I’m trying to research some information on Rosalie Edge, and her papers are in New York and Denver. I wasn’t sure what to do – it’s pricy to travel there. So I posted online and asked writing friends who suggested I ask reference librarians for help.
  • Libraries again. Reference librarians are awesome and really helpful.  I want to look at primary source materials, but I can’t pay for a plane ticket to Denver. So I emailed a librarian at the library, and the librarian directed me to the reference department, who showed me the online index of her papers. I’m now waiting to see how much it would cost for the folders I’m interested in to be photocopied. Whatever the cost, I’m sure it’s less than a plane ticket!
  • Friends again. I’m back coaching a young person who wants to be a writer. This young person has some great ideas, but like we all do, struggles with getting the ideas written down in a great way. I want to help my young writer to do his best but I don’t want to change his language or his story. I asked my amazing writer friend Wende Dikec for help. She does a lot of coaching and teaching for young writers and she suggested I focus on guiding, not editing. I kept that in mind for my last coaching session and it felt so great. I felt like I was really doing the right thing as a coach. I’m so grateful!

 

Things I’m Writing

I’ve had a good end of summer and beginning of fall for my writing projects.

  • At the end of the summer, I turned in eleven short documents that were examples of different text structures. These documents are going to be used by a teacher to help students identify types of text, like cause and effect or problem and solution.
  • I found out I sold a craft and a fiction story to Highlights for Children.
  • Then, I received an offer to write a non-fiction book for an educational publisher.
  • I also started working on my young adult novel. I am excited about the story, but I realized I need to make a story map.

What are you working on this fall and winter?

writing

Real Books Better Than E-books

books reading

Books in Waiting

Sometimes I think real books are better than e-books.

I’m not anti-e-book, because I love to read and e-books make it so easy to read. I love using my library’s app to find an e-book, check it out, and start reading. It saves me the time and gas of driving to my library! I’m not sure the environmental impact of making e-books, but I wonder if it’s offset by reduced driving, printing, shipping, etc.

But I do love a real book. And there are some very special things about real books that can never, and will never be replaced.

I started thinking about this when my youngest son dragged a giant book he loves off the shelf called “Our Fifty States.” On the inside page was an address label for my grandfather, who we called Gonky.

“This was Gonky’s book!” my youngest exclaimed. This was a thrilling thing as my youngest has always felt a special connection to my grandfather. Finding out that a book my youngest loves belonged to his great-grandfather is a very special surprise that could never happen with an e-book.

Eight Reasons to Love Real Books

Here are things that are so great about real books that make then better than e-books.

  1. Making new friends. This is accomplished by spying and being nosey. At soccer practice, I spied a mom reading a giant book that I was reading. I struck up a conversation, confident that I could find something in common with this woman. We are real friends now, and I am so grateful to that real book.
  2. Inspiring my kids. My kids are also nosey and love reading the titles of real books I’m reading. They ask what it’s about, is it good, do I wish I had written it, should they read it, etc. Then they tell me what they are reading. When they see me with my phone, they think I’m playing a game.
  3. Bookmarks. Real books need bookmarks. My kids make me bookmarks. If I only read e-books, my kids wouldn’t have such great gifts to give me. They buy me bookmarks. I use a wide variety of bookmarks and many hold special places in my heart.
  4. Gifts. It’s hard to gift an e-book, at least for me. I love giving a real solid book and I love receiving them even more. In fact, I received two books about oysters for my birthday, and purchased a book as a vacation souvenir. Not e-books, real books.
  5. Inscriptions. My older son gave me the two oyster books as gifts and I was so excited for him to write me an inscription. He wouldn’t be able to do that with an e-book. Now I’ll always remember he gave them to me, selected by him, based on his knowledge of a topic that excited me.
  6. Passing books down. My grandfather had lots of books to pass down, and we love them. I’ll have books to pass down, too. I love that we have these memories of him and love that my real books will be based down, too.
  7. Selling used books. But not every book is worth keeping and passing down. I don’t know if one can sell used e-books, but I love being able to sell (and buy!) used books.
  8. Access to information for all. I love the ease of an e-book, but I think it’s important we still have real books that don’t rely on technology to access. Many of my reasons are based on the emotions surrounding books, but this reason is a larger good reason. I don’t ever want access to books restricted and if we only used technology to read books, I worry our access could be limited or cut off.

I want to always have a book to read, even if it’s one I’ve already read. And I always want you to have a book to read, too.

 

Would Stuart Little be Published Today?

Based on an idea I call the Stuart Little Experiment, I think it’s harder to be published today in children’s literature. I’m reading Stuart Little with my kids right now. At first they were reluctant to start it. I don’t give in to complaints easily, and they can’t resist me reading to them while we are all snuggled under blankets. After the first few chapters they were hooked.

“There’s not much happening,” said the middle kid, age 11. “But this is fun to read in a day-in-the-life-of kind of way.”

I agreed, parts of it are really entertaining. I particularly liked the scene where Stuart gets caught up in a window blind. The cat is very amusing in that chapter and the idea of a mouse wearing dapper clothes.

Yet there are other parts that make that same kid cry out in disbelief and a little touch of dismissiveness.

“Why does the mother still think this mouse is really her child?” he asks more than once.

We kept reading. And then it happened. I read one chapter that made me think, “Nope. No way. This would never make the cut.”

published

Stuart Little first edition

Published or Punished?

Before I did my research, I assumed Stuart Little hit the shelves after Charlotte’s Web. Editors would take anything he wrote after Charlotte, I supposed. I was wrong. Stuart Little was written in 1945, and it was White’s first book. But back then, I’m not sure White had very stiff competition.

(Have you even heard of, let alone read Rabbit Hill, the 1945 Newbery winner?)

Some classic books, while quiet, could still find life in 2018. I think Charlotte’s Web easily could be published any year. The horrible pigeon book I read that somehow, beyond all rational thought, won a Newbery Award would never, ever make it today, in my opinion. Probably the roller skating book that also won a Newbery would be dying a slow death in a slush pile today. At least I hope it would.

I think, sadly, Stuart Little would be, too, thanks to the sailing chapter. It started out fun with a cute image of Stuart longing to sail the boats at Central Park. Of course he was dressed for the part. But then White basically dives deep into self-indulgent waters and overloads his text with so many nautical terms that I don’t think either of my kids could form a mental image of what was happening. I think they were relieved I was reading aloud so they didn’t have to struggle with the strange terminology that was served up without enough context to help them grasp the ideas. They got the gist, but I think  other kids might have lost interest, or felt frustrated.

At the very least, I think editors today would heavily revise the chapter.

And what is the purpose of the chapter? To show off White’s nautical knowledge? It taught us a little of Stuart’s character, and perhaps it will tie in later with some kind of plot or story, but it really felt like White was pleasing himself and not necessarily a reader. I’m think this book would not be published.

The Stuart Little Experiment

I would love to try this experiment. I want to put chapters from older, beloved children’s books in front of editors with altered names and see what modern editors would say about the content, writing style, language, etc. Would Stuart Little be published today?

It would be challenging to try and identify books that editors hadn’t read, and to not clue them in that they are reading already published books. We’d need to throw a few fakes into the mix. I wonder if there’s an idea for a conference session somewhere in here??

2018 SCBWI Western Pennsylvania Fall Conference

Registration is open for the 2018 SCBWI Western Pennsylvania Fall Conference! 

The conference will be November 9 and 10 at the Hyatt Pittsburgh Airport. Our faculty this year includes Samantha Gentry, Charlotte Wenger, Susan Graham and Stephanie Fretwell-Hill. Linda Camacho will also be providing critiques. We’ll have new PAL-led sessions and a pitch party on Friday.

Don’t wait, register today!

Improve Your Writing: Senses

Writing conferences offer a lot of great tips on how to improve your writing. One tip that’s always stayed with me is to use at least three different sensory descriptions in a scene. Using at least three senses helps readers visualize the scene better and it makes the scene more real.

Here’s a snapshot of a wetlands in Florida. Using sensory descriptions, how would you describe it?

improve your writing senses

You might mention the colors, but what about sounds? The swishing grass and maybe clicking insects. Now what about touch? Maybe the humid air settling on your skin, or the clinging net of a spider web on your face. And smell? I’ll never forget the slight odor of rot that stuck to the back of my throat.

I also remember reading that when people read about a smell, their brain activity is the same as when people actually smell that scent. So, mentioning sensory experiences like smells basically tricks the brain – or convinces the brain – that the person is in the scene, smelling the same aromas and fragrances if they are nice ones, or the same putrid stinks.

Also, in broadening the diversity of our writing and reading, how do we use descriptions that will appeal to readers of different backgrounds? What kinds of descriptions of food smells, hair care product scents, fabric textures, footwear discomfort, background sounds, and more will reveal our cultural, gender, and class biases?

Practice to Improve Your Writing

It takes practice to improve your writing. If you don’t, you’ll just write “he saw” or “she heard” all the time. We need practice describing what people feel in ways that aren’t cliche. And how do you describe the smell of the earth after rain, or the smell of freshly baked bread, without just saying “you know that smell?”

I’m trying to practice my sensory descriptions by writing sensory sentences each day. Not just sentences about my feelings, or thoughts, but sentences that focus in on a sensory experience I’ve had that day. Something I’ve seen, smelled, heard, tasted, or touched. Even if I don’t use the actual sentences I write in a story, I’m getting some writing done. And I’m practicing my observational skills of the world around me, which is good for any writer to do.

Here are two examples from July:

1.The clock on the wall in my office ticks and rocks out of rhythm with the swing of the pendulum.

2. I ate a fresh tomato from the garden and it was sun-hot and huskier in flavor.

3. The carpet under my desk feels flatter under my feet than the carpet over by the printer.

Try writing sensory sentences and see how they improve your writing.

 

Looking for Writing Help

Can’t wait to dive in!

Are you looking for writing help? My writing friend gave me a stack of Writer’s Digest magazines on Thursday, bringing my total to 14. 14 glossy collections of insightful advice, commentary and exercises from experienced writers who for the most part, know their art and the industry pretty well.

These magazines are useful to me. Back in the spring of 2012, I used them to correct my arm form while running. I guiltily admit that I haven’t used them as the publisher presumably intends: to effectively to improve my writing. But after a day spent in partial procrastination and office cleaning, I have formulated a plan.

How long would it take me to read a slim publication like Writer’s Digest? 30 minutes? An hour if I took notes?

I’m going to read each issue and take notes, maybe even make a video with highlights of the best tips and advice. That way I know I’ll remember the info better – because I learn when I write things down. I’ll have the information and tips preserved for later use and be able to share it with other writers who are short on time like me.

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My completed homework:

September 2010 – The Big 10 Issue

September 2011 – Best-selling Secrets

October 2011 – Get Your Agent